Monthly Archives: February 2013

Sunday Read: 5 Words Not to Fear

This Sunday, I want to point you to a thoughtful piece by Eric Asimov, the wine critic at The New York Times. A few weeks ago he published this piece in which he argues that words that have certain connotations that can be perceived as bad, but are not per se bad. The five words are: Bitter, Green, Oak, Dark and Cold.

While I use bitter, green and oak usually as a bad connotation for wines I describe (yes, even oak. I think it is sometimes heavily overused in production, especially in a lot of new world wines), Asimov argues that there are good things to all these descriptors as well. Dark and cold are the two other words where he tries to steer us away from dogmatic views.

I am all for shattering dogmata, so I thought I’d share.

Happy Sunday!

The New York Times: 5 Words Not to Fear

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2011 Karl Erbes Ürziger Würzgarten Kranklay Riesling Spätlese

2011 Karl Erbes Ürziger Würzgarten Kranklay Riesling Spätlese

2011 Karl Erbes Ürziger Würzgarten Kranklay Riesling Spätlese

Last weekend, we met with friends for an afternoon of playing Super Mario Kart, wine, cakes, cheeses and minestrone (talk about an eclectic mixture). We had a Pinot Noir that I was not very fond of so I am not writing about that one (Nina liked it quite a bit, which is always a mystery to me…but she likes red wines with sharp edges, I don’t). But, with the cheeses, we did share this bottle of wine, the 2011 Karl Erbes Ürziger Würzgarten Kranklay Riesling Spätlese. Regular readers of this blog are probably familiar with the winery, if you aren’t, I wrote about it in detail here. The winemaker Stefan Erbes has become a good friend of mine.

Some of you should also be familiar with the Ürziger Würzgarten by now, one of my preferred vineyards along the Middle Mosel. But you might wonder what that word “Kranklay” behind it means. Let me explain briefly: The German Wine Act, passed in the early ’70s, did many things that I can just look at in amazement these days. One of them was merging single denomination vineyards into bigger single denomination vineyards by expanding particular plots and getting rid of the old names. So, what used to be a rather small vineyard, the Ürziger Würzgarten, is now a pretty big stretch of land. The incorporated vineyards lost their single vineyard denomination and vanished. Among these merged plots were some pretty good ones: in Erden for example the “Herzlay”, or in Ürzig the “Kranklay”. The German Wine Act prohibits wineries from putting the names of these now defunct vineyards on the label, even if the vineyards are in these old plots.

A younger generation of winemakers has realized that terroir actually matters (it really does not in any way to the German Wine Act). So, some of them have started putting the names of the deleted vineyards back on the labels because they believe they are unique and should be identifiable. While this is not allowed by the Wine Act, it depends on the wine commissioner to assess whether to exact penalties or not. The Middle Mosel is quite lucky in that regard as the current commissioner does not seem to care too much. So you will find the denominations Kranklay or Herzlay on bottles of Karl Erbes or Dr. Hermann.

Other areas fare worse: Weingut Peter Lauer, on the Saar river, has to come up with creative names for their wines that resemble the old vineyard names in order to be able to print something akin to the vineyard name on the label. It is complete bureaucratic idiocy at its “best” and everyone seems to agree that the Wine Act is in desperate need of an overhaul…but legislatures move slowly (as Americans know all too well)…so for now, we are stuck with a system that is generally considered bad, which is arbitrarily applied. Talk about the rule of law…

The Kranklay then is part of the Ürziger Würzgarten. It is located in the higher, Eastern parts of the South facing Würzgarten, close to where the Erdener Treppchen begins. It is a perfect amphitheater and has a pretty good micro climate. Stefan decided it is worth pointing that out and putting the name back on the label. The wines tend to taste a bit riper in my experience than the rest of the Würzgarten.

But let’s move on to the wine: it has 7% ABV and was from the super ripe 2011 vintage, so we knew we were in for a sweet treat…In a short exchange, Stefan told me that the 2011s are now beginning to shine.

In the glass the 2011 Karl Erbes Ürziger Würzgarten Kranklay Riesling Spätlese was strikingly bright yellow. To me, the nose was a bit subdued, with floral aromas. On the palate the wine was quite sweet, showed honey and peach aromas. It still retained a decent amount of acidity but the sugar level definitely gave me one of those very welcome sugar burns in the throat (I have no clue if you understand what I mean: it is this mixture of acidity and sugar that can create a warm, fuzzy feeling in the upper throat region. I quite enjoy that in a good Riesling). The wine had a long finish. After a while I began tasting red apples and some orange rinds. It was a perfect match with the goat cheeses we had (goat gouda, goat manchego, two other hard goat cheeses and a soft, Greek goat cheese). We like to eat those cheeses with some kind of fruit mustard, but who needs that when you have a wine like this in your glass?

It is still in the early stages of its development. To a certain degree, it seemed more like an Auslese than a Spätlese in its intensity and I am rather certain that the must reached Auslese levels in degrees Oechsle. If you like sweet German Rieslings, this is a great bottle of wine for you.

I just checked the guys over at Mosel Fine Wines (if you have not signed up for their free newsletter, I encourage you to do it: great wine reviews for pretty much all wineries that matter at the Mosel and it is free), and they noted yellow fruits and passion fruit. They remark that it is clearly botrytized (I thought the opposite last night, but what do I know?) and also got the honey notes. Their suggested drinking window is 2016 to 2026. So you might want to give this wine some time…

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2006 Vecchia Cantina di Montepulciano Vino Nobile di Montepulciano Redi Argo et Non Briareo Riserva

2006 Vecchia Cantina Vino Nobile Redi Argo et Non Briareo Riserva

2006 Vecchia Cantina Vino Nobile Redi Argo et Non Briareo Riserva

Phew, this is probably the longest wine name I ever wrote down…who complains about German wine labels when they see this? I like to call the wine simply Briareo.

This wine review is right in line with my recent praises of this wonderful community I have found through blogging (see here). Some of you know my constant complaining (and might actually be sick of it by now) about the absurdity that is the U.S. wine pricing system. I still cannot get over how expensive “better” wines are in this country. Blame the stupid three tier system, blame the high prices of French and Italian wines that the market somehow adopted for pretty much anything else, blame whatever you want. I still don’t think it is just the shipping that makes wines so expensive, because containers are not that expensive anymore…but, end of rant.

Several months ago, I realized that my wine friend Anatoli over at Talk-a-vino kept mentioning this wine site Wines Till Sold Out (or short WTSO). It is a site that sells one wine at a time, usually at a steep discount. Shipping is free if you buy a couple of bottles (usually between 2-4, depending on the wine). I started eyeing that website and realized that besides the usual suspects of California Cabernet Sauvignons and Burgundy whites, they also sell a lot of Italian reds. And the prices are actually quite good. Given that, including shipping, you usually end up with a price tag of somewhere above 70 bucks for between 2-4 bottles, it is still a considerable amount of money for this Germany spoiled imbiber. So I never bought anything.

Then, shortly before Christmas, WTSO was offering this wine, the 2006 Briareo and I simply had to buy it, as in HAD to buy it. I visited that winery (actually it is a cooperative) when I was in Montepulciano in 2005 and I LOVED, LOVED, LOVED their standard Vino Nobile (we took a case back to Germany). Back then, the Briareo didn’t seem to offer much better quality than the standard, and the standard was considerably lower priced (I think 12 euros per bottle instead of the 19 per bottle they wanted to the Briareo). But now, that did not matter: This was a winery I had visited and whose wines I remembered fondly, and that wine was selling for $18!! Incredible. So, I ordered four bottles to fulfill the minimum requirement for shipping.

The wines arrived after we returned from our Alaska trip in mid January. And have been sitting in the wine rack since. I have to say, I was actually hesitant to open a bottle. I remembered their wines so fondly, but this was a different vintage etc. etc. etc. What if I was going to be totally disappointed? (I can be a worrier…) Sunday night we decided to open a bottle. The heck, we still have three left after that one! Plus, I left Ann Arbor for a couple of weeks to help out a good friend of mine with some stuff in San Antonio, Texas, so why not make this a good last evening before I left?

The wine, as a proper Vino Nobile, is made from a mix of Sangiovese grapes (in Montepulciano that grape is called Prugnolo Gentile and a Vino Nobile needs to have a minimum of 70% of that grape in it) and Canaiolo. While a standard Vino Nobile gets to age two years in oak, a Riserva spends a minimum of three years in oak.

The crazy name “Argo et Non Briareo” is actually a reference to a medieval Latin inscription that is in one of the winery’s walls. It translates to “Argus and not Briareus”. Now that is not very helpful, right? Let me help you a bit with Roman and Greek mythology: Argus is a giant with a hundred eyes. (In German, a saying translates to “You have eyes like Argus.”) Briareus, in contrast, is a giant with just one eye. The inscription means it is better to be Argus with a hundred eyes than Briareus with one eye. According to the winery, they picked that inscription for the wine’s name because the wine is also better enjoyed with a hundred eyes because of its depth and sophistication than just one eye. Kind of cute that story. I have actually seen that inscription on the outside of their cellar walls.

Vecchia Cantina, the cooperative, was founded in 1937 by fourteen winemakers. You can find their website here.

But enough, enough of the gibberish. Let’s dive into this wine. I decanted it and oh boy, did this wine need decanting! We followed the wine over the course of 2 1/2 hours and its development was fascinating. It poured in a pale red to garnet color, very light. The initial nose was dominated by cherries, tobacco (lots of it) and floral aromas. After 30 minutes of decanting, the flavor was dominated by acidity and quite an amount of peppery heat which was really weird and disconcerting. I got violets, tobacco, leather and some plums. It was a thin, not very interesting wine.

So we decided to let it stand for a bit. And after 90 minutes in the decanter it finally began opening up: The cherry notes became more prominent in the nose, the heat was virtually gone from the wine. It was deep and interesting while at the same time retaining that refreshing lightness.

After two hours, the nose got super fruity, with a lingering tobacco aroma and some dark chocolate. It even seemed like the color had changed to a darker red, almost ruby. Now I finally enjoyed the wine. Its finish was long and enticing. I still think it should have had a little more heft to it given that it is a Riserva, but it was really yummy. And the best thing was how much Nina enjoyed it. She LOVED the Briareo and couldn’t get enough of it.

Just for those curious: The Wine Spectator rated this wine with 93 points and states its ageing potential as 2012-2025. According to their notes, there is dried cherry and berries, floral aromas, licorice, spices and leather aromas in the nose as well as on the palate. Long finish with ripe fruit and flowers.

Now I wish I had bought more bottles, because the price tag ($18) was great and if I want to taste it once a year within the suggested drinking window, I need to get a couple more to make it to 2025…:) Thank you, Anatoli!

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