Category Archives: Germany

Demystifying German Riesling – WSJ 4 May, 2012

I know, another article, but this one is about German rieslings, and so I feel like I should share it with you.

Is it a trocken? Demystifying German Riesling

The author makes many valid points, among them the following four reasons why riesling is loved by sommeliers in the US:

1) Riesling is wonderfully capable of transmitting the character of a particular terroir of just about anywhere in the world, though arguably no more so than in its native Germany.

2) Ageability: A great German Riesling can age longer than just about any white wine in the world.

3) Affordability, especially relative to other great wines of the world.

4) The German wine-classification system can make the study of Burgundy seem like a proverbial walk in the park and that is why sommeliers seem to be necessary.

The author then goes on trying to explain that there are many German rieslings that are not as sweet as they tend to be perceived. She definitely has a point there. Another aspect she raises is that Americans talk dry, and like off-dry and semi-sweet. My experiences with American friends visiting us in Germany and going wine touring with us was usually the same: They would tell us prior that they wanted dry wines. The off-dryer and sweeter they got during the tasting, however, the more they fell in love. It is because of riesling’s natural acidity, that makes the sweetness play with it in a hugely pleasurable way.

Yet, the author also falls into the traps of German wine labeling that she tries to avoid: In the article she seems to equate kabinett (the lowest class of Praedikat wine, remember my post?) with off-dry or semisweet. That is not entirely true, though. There are many kabinetts that are dry. This problem, again, stems from the confusing German wine labelling. While Mosel riesling kabinetts are usually sweet, if the label does not denote anything you can assume that they will be on the sweeter side. The winemaker labels them “trocken” (dry) or halbtrocken or feinherb (off-dry) if they are not. In other regions, where tradition is different, a kabinett without any extra labelling can be dry…and if it was sweeter that would be put on the label. My point: Don’t assume a kabinett is off-dry or sweet just because it is a kabinett. If it is from the Mosel, you can safely assume it is on the sweeter end.

The article is still a good read.

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1987 Vereinigte Hospitien Erdener Treppchen Spätlese

Photo taken from the winery’s homepage

I mentioned this wine in an earlier post, when I was talking about how German rieslings can age. I think it is proper to describe the wine in full.

The Vereinigte Hospitien (“Unified Hospices”) winery in Trier has a loooooong history and tradition. Its name stems from the fact, that until German Mediatisation in the early 1800s, most hospitals were run by the Catholic church. The Trier hospitals, that were also called hospices at the time, were unified into one corporation under public law in 1804 by Napoleon. A lot of these hospitals financed themselves by owning vineyards and selling the wine (just like universities at the time). The Vereinigte Hospitien are still a corporation under public law, maintaining several hospitals and nursing homes, and are a big employer. But they also never gave up winemaking, though. Through the church possessions, they own property in some of the most prestigious hills along the Mosel and Saar rivers. Most notable is the Scharzhofberg, one of the most famous German vineyards at the river Saar, but also Piesporter Goldtröpfchen, Wiltinger Kupp and others.

The winery has a tasting room were you can try the wines for free. Even better, ask for a wine tasting with friends in their cellars, which are among the oldest in Germany…dating back to Roman walls of the fourth century AD. I have been quite fond of their good but affordable quality wines. If ever you get to Trier (be it for its Roman ruins, medieval history, or any other reason), I recommend you go and check out this winery.

The bottle with the deteriorated cork

Now, this 1987 I got at the winery shortly before I left for Ann Arbor. It happens to be Nina’s birthyear (not a very good year for German wines), and Erdener Treppchen, a vineyard in the central Mosel valley, is one of my favorite. To me, there is something special about old wines. I immediately have to think about what happened in that year, and it feels like the wine gives me access to a time that is passed. It is like a captured moment in time, that has aged as well, and will be gone when I finish (or pour out) the bottle. It is almost magical.

We opened it for Nina’s birthday party.  I decanted it for about half an hour. As you can see on the photo, the cork had deteriorated quite a bit, but when I pulled it, it was clear that it had not destroyed the wine. The color was a lighter rhine stone. The nose seemed quite complex, I smelled honey as the strongest. The taste was surprisingly fresh, with a well boiled down alcoholic tone. Unfortunately, and I guess this owes to the rather weak vintage in general, acidic notes were strong and dominated the palate to a degree that some found objectionable. I thought it was still an acceptable level…it was yummy!

Cork art

With older wines, it is interesting to see how they taste after they have been open for a while. So, we preserved some and after two days, tobacco and leather smells started dominating the nose, but with beautiful hints of strawberry. It just kept wowing me.

And to give you an idea why I am often surprised by the wine prices in the U.S. I think I paid about 15 euros for this bottle, that is $20. For German standards, that is already a rather expensive wine…

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2009 Hans Lang Rheingau Riesling Spaetlese – Edition Maximilian

Quite the disappointment…

I have decided to not even take a picture of this bottle. If you have to see it, go here. This is a wine by one of the “better” winemakers in Germany, Hans Lang (strangely, I could not find a homepage for them), and it is readily available through Trader Joe’s for a very enticing $8.99. Now, this really low price for a spaetlese already tells you that it is probably not one of the first rated wines of this winery. The name – “Edition Maximilian” – should also be an indication of that…however, the winemaker is a member of the prestigious VDP (an elite club of winemakers in Germany that selects its own members that then have to adhere to higher quality standards), so I thought the wine should at least have some potential, because even more basic wines can be good.

Well, not this one. At first there was an unimpressive, alcoholic and slightly sour smell that mellowed out after a while. The wine was of clear, light yellow color. I could taste some strawberries, some vanilla, pear. The acidity in the wine seemed rather high, and in total not very well balanced by some hints of sweetness. The finish is short, with again, hints of vanilla. I could not help but think that the winemaker was not sure where to go with this wine: sweeter, not so sweet, spaetlese or rather not? It is not a bad wine, but it also seemed to lack so much. Especially when you consider that the winemaker probably knows what he is doing, and that a spaetlese should be stunner, not a bummer. It feels like he was going for a simple wine that would be a quick sell. Seems like a lost opportunity.

If this was my first German riesling spaetlese, I would have no clue what all the fuss was about and would stay away. I’ll sure stay clear of this one.

To be fair: Others do think differently, see e.g. here (calling it “delicious”).

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